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The exhibition focuses on painting and how the curator had an intense and ambivalent relationship in his works. This is a comprehensive exhibition of the work of the artist in 10years and more. The show focuses on this artist's career in 35 years from his early pieces to abstractions that brings about painting in the contemporary world. In this exhibition there are the early pieces and artist's paper works. There is also a catalogue that contains the thematic groupings of the artist and interviews with him between the year 1997 and 2008. There are images of theatre sets, architectural plans, seating charts, beds, road maps, baggage-claim carousels and numerical sequences. Through these, the viewers to contemplate on how the pieces in front of them relate with them and also to relate them to their individual space and the entire world they live in. Everything in this exhibition is used to trace the artist's work in three decades. (Hirshhorn Museum and Sculpture Garden, 2007).


When surveyed differently, it looks at the artist's conceptual nature in his practice in painting and how it originated through different disciplines. The organization of the exhibition entails the key themes in the work of this artist which include the maps, domestic and the architecture in the institutions. These shows the systems and methods on how people can navigate, organize and describe their world. Still in the exhibition, there are broader themes of migration and disappearance, memory and the intersection between private space and the public space. It explores the topical issues in painting culminated in a survey by a curator called Walker. The survey is on the modern painting abstract in 2012. It presents the full scope of the production by Kuitca. The theme of dislocation and private and public space intersection are looked at through his work.

Aires-based Guillermo Kuitca has been operating outside the sphere of traditional medium. His exhibition "Guillermo Kuitca: Everything - Paintings and Works on Paper, 1980-2008", is older than 15 years has 25 works on paper and 50 paintings which was collected through out the world from private and public collections. This exhibition examines his career in almost three decades. This exhibition really underscores the subject matters extensively, interdisciplines the curator works with (theater, sculpture, film, architecture and literature), individual issues and the explored relationships in the community. (Gysin, K., 2010).

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Works such as Siete Ultima Canciones and El Mar Dulce found in the exhibition, are suggestive of stage sets, where small figures act mysterious and very disturbing drama. In some of other works there was the theme of disappearance and absence which shows dishonored beds appearing to be on fire, upturned chairs, and on the empty stage there is a microphone. The early works of the exhibition, looks at topography and architecture, and also communal and the domestic spaces. There are also the floor plans for public institutions, the genealogical charts and the geographical maps (Tablada Suite, People on Fire series and the paintings on mattresses and canvas respectively.) which now serve as references which are very important. Here the human figure is not present regardless of the works inferring to human spaces and interconnections which large groups normally occupy. It exhibits the Warhol Series and the Flying Dutchman that mirrors Kuitca's strong relationship to painting which is his primary medium. (Gysin, K., 2010).

The installation on Scrim Suite that is used to trace its genesis to the stage designs, is now exploring the perception and experiences of light, image and space. Der Fliegende Holländer, curator's books edition, is also included in the exhibition and it has drawings which are based on the designs in the production of Wagner in Buenos Aires. Also, for the viewer to see and enjoy the exhibited publication entirely there is a display of dye prints on silk organza gotten from the unbound books and the single pages of such books. (Miami-Dade County, 2008).

Analysis of the works

The curator created 63 works from the already created which makes up the Warhol Series as re-worked versions after he focused on them over a period of time and their installation on the wall grid, they echo a constellation which is dreamlike. The previous Warhol's signature icons subjects are removed thus making them to be unrecognized. However, hints of figures become evident occasionally thus showing a diffuse color that has the signature of Kuitca's repetitive and meditative practice by use of water color and ink. This edited information meaning is also altered when the used of water treatment is put into place by the curator as the printed image is altered. The results are works that have surreal abstractions with pictorial elements that have moves across the paper. The exhibition also shows alterations in others works by the curator giving them a different kind of honor and appraisal of the history of contemporary painting. These abstractions include representations of empty shells which do not seem different from the maps and the dramatic seating tactics of his past doings. These are familiar ghostly artifacts showing value and authority which represents concepts and systems that the curator ruthlessly and lovingly found efficient. They show a painting pathway where there is a balance between the distance and affinity. (Sperone Westwater, 2001).

Guillermo Kuitca's practice explores themes of the dislocation and the intersection of public and private spaces through works ranging from paintings of theatrical scenes, to complex abstractions referencing maps and architectural plans. Kuitca represented Argentina at the Venice Biennale in 2007, where he was one of only three artists to exhibit in both a national pavilion and in the Italian Pavilion. The exhibition also shows the exploration of organizational systems by a map of the world with domestic spaces building plan, where the notions and borders of space are identified as human discovery changing product. (Sperone Westwater. (2001).

Critical response

The viewers are able to draw inspiration from this exhibition through the beautiful work of this artist from the early times to today. It is a challenging work that figuratively and literally challenges the boundaries. The inspiration can be drawn from the charts, theater seating plans and maps. It is well organized as different themes are clearly illustrated and shown. The theme of loss and absence is shown by the overturned chairs and unburdened beds the theme of organizational systems is shown by a map of the world with domestic spaces building plan, where the notions and borders of space are identified as human discovery changing product. The themes of the dislocation and the intersection of public and private spaces are also shown through works ranging from paintings of theatrical scenes, to complex abstractions referencing maps and architectural plans. The organization supports all the themes that the artist intended and the viewers are really satisfied as they look forward to more of his work.

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