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Above all things, it should be stated that memorable characters are always regarded as living persons, similar to those who surround the reader in real life. Thus, even the fictitious characters must be approached with the certain value of realism and detailed observation.
As far as the character of Blanche is concerned, it should be claimed that the diligently chosen images help to disclose the character best. Thus, Tennessee Williams (1995) scrutinizes the image of Blanche and makes attempts to convey the particularities of the character in all details. The author writes, “She looks at a slip of paper, then at the building, then again at the slip and again at the building. Her expression is one of shocked disbelief” (Williams, 1995, p. 3). In view of the above, it is obvious that the writer pays substantial attention to the issues of feelings conveyed by means of the images of expression. The feeling of shocking and disbelief is introduced through the images of sudden glances. Besides, Williams depicts the heroine’s clothes in order to explicate her style.
Apart from the above, it might be appropriate to note that there is a wide range of external images which help to determine the character of Blanche. The imagery of flowers, music, birds, and colors, assist in the process of developing the heroine’s character. For instance, Stanley often calls Blanche a canary bird. When Blanche sings in the bathroom, Stanley exclaims “Hey, canary bird! Toots! Get OUT of the BATHROOM!” (Williams 85).
In this sense, the image of canary bird serves to depict the character of Blanche who indulges in unstoppable singing resembling the canary-bird. Also, the images of different colors evince the development of Blanche’s character. For instance, in the very beginning, Blanche is described as a sophisticated female who is dressed in a white suit with a fluffy bodice, necklace, white gloves and hat. The image of whiteness serves the genuine indication of lightness and daintiness. It is impossible to perceive the character of Blanche without taking into account the images of color surrounding her personality.