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Written and recorded information do have a factor of truth in their selves even if they are not originally obtained from a contextual source.  This information always has a background that has been redeemed from a particular situation or is being conceptualized in the current settings or scenario. Putting a life situation in written or recorded form has factual evidence and real life experiences that were encountered by the person. I should warn that not the entire story line genuinely fits into the context that is in reference, but some fictional bits and pieces are sometimes used to connect interrelated parts that were missing, unforeseen or neglected in the real world. However, this is only for the flow of the whole text. Not all information can be captured in a life cycle of an organism since we live in a dynamic world full of discreetness.

The element of truth in texts has a wide scope of validity. This is because something cannot be obtained from nothing. In other words, information, whether true or false, has a basis within which it was captured even if it violates its originality. Its basis forms the backbone of the whole text, thereby, extending its credibility.

Truth has its originality. The extent to which a text explores information about a subject has its basis of reference to a person, a geographical context or a situation that had already taken place. Texts that reveal certain hidden agendas on a particular subject have explored the area of interest either first hand or through research. In the case, of the movie, “City of God”, (Cidade de Deus) a film supported by real life events in the slums of Brazil at a place referred to as The City of God of Paulo Lins. It illustrates the increase in criminal activities in the neighborhood of Rio de Janeiro (City of God). The film takes into account the lives of two boys with different backgrounds in the escalation of crimes in the suburb where they engaged in murders and robbery with violence. Even though it is acted, the whole film revolves around characters that once existed in reality in 1960s. Another example is from the book “The Glass Castle”, a 2005 memoir written by Jeannette Walls. She explores her childhood background with her family who lived in different towns of the USA.  The author, Jeannette, was born on January 1/1/1960 in Phoenix, Arizona.  They stayed there for 4 years then moved to Desert, Nevada in 1964 (p.29). They also stayed with their grandmother, Erma in Welch, West Virginia (p.132) and started schooling in Welch school (Walls 18).

Truth is factual, authentic and reality based. Therefore, the textual reference to real events has to capture circumstances that had already taken place so as to give evidence on the ground. The basis is not only focused on the geographical setting that it happened, but also the people who participated in the straightening and bending of the facts. In the film, “City of God”, the director recruited the child actors directly from the streets where the setting of the film was located (Favela streets). The director and co-director set up workshops eight months prior to shooting to perfect the film. In one disturbing and perfectly acted scene, the child gangsters give one of the victims a difficult choice of being shot in the foot or on the hand. He chooses the foot and ordered not to limp as he walks away. These scenes have been experienced in Hollywood and Europe. This film illustrates the existence of such brutal killers on the ground.

Truth in texts focuses on the need to address a strong issue that affects a community or society. These issues affect human behavior, either negatively or positively. It creates an overview of related episodes that might multiply themselves in the same way. These issues give an opportunity to have recommendations to streamline the impending or existing ones. The life of Jeannette as she portrays in her book “The Glass Castle” regards the struggle that she and her siblings went through as their parents had impracticable ways of raising them accordingly. She perceives herself as tall and ugly, which fueled the difficulty to survive within and without Wall’s family setting. Her parents never took care of them as they were meant to since the father (Rex Walls) was a drunkard and the mother (Rose Mary Walls) did not believe in domestic settings. For instance, there is a time the father uses her to solicit money from a man in exchange for sex. This portrayed how he does not care about the welfare of his kids. On the other hand, there reached a point where Rose Walls left her matrimonial home to go live “freely”. Jeannette tried so hard to help the family even financially, but her parents were reluctant to agree to her assistance.

“What could I do? I'd tried to help them countless times, but Dad would insist they didn't need anything, and Mom would ask for something silly, like a perfume atomizer or a membership in a health club. They said that they were living the way they wanted to”FV

 (p.1).

 The circumstances that people go through and activities that they engage in have the power to bring out their morals. These activities and circumstances shape up what and who you are, and how one impacts the society at large (Walls 56). The suburbs of Rio De Janeiro, in Brazil, show the magnification of criminal activities as organized crime develops between 1960s and 1980s. The alliance of the drug dealers, Li'l Zé, and criminal, Knockout Ned, at the end of the film, who were at war before, gives the impression of an unending war on crime. The tagline reads "If you run, the beast catches; if you stay, the beast eats" which means in layman English that u r damned whether you do something or not or rather if you run, it will get you. If you stay it will eat you. In this context, crime is the reference. In Jeannette’s book, her father was a drunkard, but had skills and knowledge on Astronomy and Geology. His faults killed the care that he had for his family even though he had visions of trading in gold and building for his family The Glass Castle. When sober, he would tell tales to his children and relate better with them than when drunk. Unfortunately, he later dies from a heart attack in 1994 in New York; shattering his agendas. These examples happen in reality and show the elements of truth in them. Individuals who pass through or encounter such situations learn from experience, and devise better ways of living.

The naked truth in texts can only be justified in natural settings. The detailed explanations given for a particular subject is only known to be true if such situations have happened before or currently.  Even though texts capture the truth in many occasions, the title of The City of God (movie) and The Glass Castle (book) by Janette Walls are an opposite of what they depict in the livelihoods that the characters lived in. Jeannette and her family lived in a horrible a painful life event where they had to move from one place to another to look for a better place that would accommodate them as a safe haven. The title portrays where they wished they lived in as her father’s wish was to build “The Glass Castle” for the family if his gold business would have bore fruit. “The City of God”, the title of the film, is contrary to Godly ways that one should embrace in life. The criminal activities caused people to die; robberies and drug dealing are not part of godly manners (City of God).

 Conclusion

Capturing the exclusive truth in texts is possible because it has its foundation embedded in a context, and it devises a way of drawing attention to the readers to gain hypothetical experience on the probability of these situations reoccurring in a more or less the same manner or even worsening. The truth lies in real life situations, and that’s the notion that texts base their arguments, suggestions and explanations on. 

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